A game -play-at chesse

Images: Wikipedia [click on image for a larger view]

Title page of the first printed edition. It depicts the Fat Bishop saying “Keep your distance”, and the Black Knight tempting him with “A letter from his holiness”. The characters’ faces are caricatures of de Dominis and Gondomar.
Written by:  Thomas Middleton
Date premiered : August, 1624
Place premiered:  Globe Theatre, London
Original language:  English
Subject:  Anglo-Spanish relations, Protestantism and Catholicism
Genre:  Satire, allegory
Setting:  A chessboard
Chess is a game where there is a war taking place. [luckily without violence and blood] The chessboard is a very popular setting to depict situations or to learn lessons – from the past as well as current. Chess is also popular in movies. On THIS LINK I’ve posted an entry about chess and the movies.
I was searching for something completely different – than chess – when I came across this play – about chess – and really enjoyed reading about it. I’ve copied from the link, but you can read on the Wikipedia link more about the Acts, the Scenes and the characters in this play. Interesting:

The play was stopped after nine performances (August 6–16, Sundays omitted), but not before it had become “the greatest box-office hit of early modern London.

Please click HERE  to read more about the play on Wikipedia.

King James I of England, model for the White King

King Philip IV of Spain, model for the Black King

Count Duke of Olivares, model for the Black Duke [Rook]

The play

The drama seems to be about a chess match, and even contains a genuine chess opening: the Queen’s Gambit Declined. Instead of personal names, the characters are known as the White Knight, the Black King, etc. However, audiences immediately recognized the play as an allegory for the stormy relationship between Spain (the black pieces) and Great Britain (the white pieces). King James I of England is the White King; King Philip IV of Spain is the Black King. In particular, the play dramatizes the struggle of negotiations over the proposed marriage of the then Prince Charles with the Spanish princess, the Infanta Maria. It focuses on the journey by Prince Charles (the “White Knight”) and George Villiers, 1st Duke of Buckingham (the “White Duke”, or rook) to Madrid in 1623.

Among the secondary targets of the satire was the former Archbishop of Split, Marco Antonio de Dominis, who was caricatured as the Fat Bishop (played by William Rowley). De Dominis was a famous turncoat of his day: he had left the Roman Catholic Church to join the Anglican Church—and then returned to Rome again. The traitorous White King’s Pawn is a composite of several figures, including Lionel Cranfield, 1st Earl of Middlesex, a former Lord Treasurer who was impeached before the House of Lords in April 1624.

The former Spanish ambassador to London, Diego Sarmiento de Acuña, conde de Gondomar, was blatantly satirized and caricatured in the play as the Machiavellian Black Knight. (The King’s Men went so far as to buy discarded items of Gondomar’s wardrobe for the role.) His successor recognized the satire and complained to King James. His description of the crowd’s reaction to the play yields a vivid picture of the scene:

There was such merriment, hubbub and applause that even if I had been many leagues

away it would not have been possible for me not to have taken notice of it.

The play was stopped after nine performances (August 6–16, Sundays omitted), but not before it had become “the greatest box-office hit of early modern London”. The Privy Council opened a prosecution against the actors and the author of the play on Aug. 18 (it was then illegal to portray any modern Christian king on the stage). The Globe Theatre was shut down by the prosecution, though Middleton was able to acquit himself by showing that the play had been passed by the Master of the Revels, Sir Henry Herbert. Nevertheless, further performance of the play was forbidden and Middleton and the actors were reprimanded and fined. Middleton never wrote another play.

An obvious question arises: if the play was clearly offensive, why did the Master of the Revels license it on July 12 of that summer? Herbert may have been acting in collusion with the “war party” of the day, which included figures as prominent as Prince Charles and the Duke of Buckingham; they were eager for a war with Spain and happy to see public ire roused against the Spanish. If this is true, Middleton and the King’s Men were themselves pawns in a geopolitical game of chess.

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Dance of the Knights

I’ve seen Romeo and Juliet ages ago, I can only recall certain parts of it, think I need to go and see it again. The Dance of the Knights is quite fresh in my mind…I’ve found the music for you to download too if you want to! Take a listen and enjoy the youtube movie. You can also read about the “Knight’s tour” in chess…almost like the “Dance of the Knights”;) The music was composed by Prokofiev and was also the theme music of the tv program  “The Apprentice”. If you click on links, it will open in a new window.

Download the music here.

Images: Wikipedia
….

History..links open in a new window.
The pattern of a Knight’s Tour on a half-board has been presented in verse form (as a literary constraint) in the highly stylized Sanskrit  poem Kavyalankara written by the 9th century Kashmiri poet Rudrata, which discusses the art of poetry, especially with relation to theater (Natyashastra). As was often the practice in ornate Sanskrit poetry, the syllabic patterns of this poem elucidate a completely different motif, in this case an open knight’s tour on a half-chessboard.

The first algorithm for completing the Knight’s Tour was Warnsdorff’s algorithm, first described in 1823 by H. C. Warnsdorff. Read more on this link.. http://en.wikipedia.org/wiki/Knight’s_tour

 

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Chess the Musical..South Africa

This musical is currently running in South Africa…and you have the option to see it in either Johannesburg or Cape Town…make sure not to miss it! Click on the images for a larger view.

 Please click HERE to book your night with the Chess Musicals! in Cape Town. All images from the site too and there’s a link to the review in a PDF document. Please click HERE to book your night in Johannesburg and you can click HERE for more information too ….
On my blog HERE you can read more about Cito and there’s also a link to his MySpace site.
 

100th PRODUCTION AT PIETER TOERIEN’S MONTECASINO THEATRE!

Pieter Toerien presents
CHESS – The Musical
22 March – 25 May 2008
Now on stage: MAIN Theatre

Set during the Cold War, CHESS involves a romantic triangle between two players in a World Chess Championship, and the woman who manages one and falls in love with the other. Although the protagonists were not intended to represent any specific individuals, the characters’ personalities are loosely based on those of Victor Korchnoi and Bobby Fischer. The show is not so much about the game of chess, but rather about how the Cold War affected the lives of those it touched.

Freddie, the American, is supported by Florence. During the course of the Championship, Florence falls in love with the Russian Anatoly, and leaves Freddie. This sets off a sequence of events that tears Anatoly from his wife Svetlana and his manager Molokov, who happens to be connected to the KGB. Who wins the World Chess Championship? Do the politics of the Cold War have the last say? CHESS is very dark, portraying a world where you can trust no one and love cannot survive.

From the Alpine heights of Merano, Italy to the sultry heat of Bangkok, Florence, Anatoly and Freddie find themselves swept towards the show’s climatic conclusion! Tim Rice teamed up with ABBA+s Benny Anderson and Bjorn Ulvaeus in 1984 and, following the formula of JC Superstar and Evita, a concept album of CHESS was recorded. The cast for the album included Elaine Paige as Florence, Barbara Dickson as Svetlana, Tommy Korberg as Anatoly and Murray Head as Freddie. The CHESS album contained the chart-topping hits “One Night in Bangkok” (sung by Murray Head) and “I Know Him so Well” (sung by Elaine Paige and Barbara Dickson).

CHESS debuted on the London stage in 1986 and played for three years with a cast led by Elaine Paige, Tommy Korberg and Murray Head, while the subsequent short-lived Broadway company featured Judy Kuhn, Philip Casnoff and the late David Carroll. The score includes such tunes as “Nobody’s Side,” “One Night in Bangkok,” “Anthem,” “I Know Him So Well,” “Pity the Child” and “You and I.”

CHESS is a ‘cult’ musical which is hugely popular with musical theatre fans and the general public alike and was voted in the All-Time Top Ten in a BBC Radio 2 listener poll of the United Kingdom’s “Number One Essential Musicals”.

South African Premier

Pieter Toerien’s South African Premier of CHESS will begin previews at his Montecasino Theatre on the 22nd March and run till 25 May before moving to the Theatre on the Bay in Cape Town. CHESS is the 100th production on stage at Pieter Toerien’s Montecasino Theatre.
Source: HERE …

 

Cito…as Frederick…image: Montecasino

On THIS LINK you can read about Chess, the Musical in London.

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A Very English Day

 

 

23 April = St George’s Day…and…we want to believe …as this is unknown… Shakespeare’s birthday. Not only his birthday…but also the day he died!

Read HERE more about St George’s Day.
Who was St George?

St. George is the patron saint of England. His emblem, a red cross on a white background, is the flag of England, and part of the British flag. St George’s emblem was adopted by Richard The Lion Heart and brought to England in the 12th century. The king’s soldiers wore it on their tunics to avoid confusion in battle.Like England, every country in the UK has its own patron saint who in times of great peril is called upon to help save the country from its enemies.
Who was the real St George and what did he do to become England’s patron saint?

St George was a brave Roman soldier who protested against the Romans’ torture of Christians and died for his beliefs. The popularity of St George in England stems from the time of the early Crusades when it is said that the Normans saw him in a vision and were victorious.

Dragon-Slaying Patron Saint of England

One of the best-known stories about Saint George is his fight with a dragon. But it is highly unlikely that he ever fought a dragon, and even more unlikely that he ever actually visited England. Despite this, St George is known throughout the world as the dragon-slaying patron saint of England.

 

       Image and info from this link…. http:// www. woodlands-junior. kent. sch.uk /customs /stgeorge . html

When I was at Secondary School, we studied  Hamlet… and for our exams we also had to learn many quotes..I can remember I had a list of about 50 or more…and… we had to know exactly in which Act/Scene…etc that quote could be found!! A nightmare! ..to study all those quotes, because you never knew which quotes you would get asked! Quotes that I remember well……. “To be…or not to be….” and a few more……”A little more than kin, and less than kind, Frailty, thy name is woman! Give thy thoughts no tongue. Neither a borrower nor a lender be; For loan oft loses both itself and friend, Give every man thy ear, but few thy voice…Something is rotten in the state of Denmark.”… Shakespeare was also a chess player!

 

William Shakespeare (baptised 26 April 1564 – 23 April 1616)[a] was an English poet and playwright, widely regarded as the greatest writer in the English language and the world’s pre-eminent dramatist.[1] He is often called England’s national poet and the “Bard of Avon” (or simply “The Bard”). His surviving works consist of 38 plays,[b] 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright.[2]

Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain’s Men, later known as the King’s Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare’s private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others.[3]

Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623, two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare’s.

Continue reading HERE about Shakespeare and…on THIS LINK

you will find all his works. Please click HERE for more quotes.

Comedies
 All’s Well That Ends Well
As You Like It
The Comedy of Errors
Cymbeline
Love’s Labours Lost
Measure for Measure
The Merry Wives of Windsor
The Merchant of Venice
A Midsummer Night’s Dream
Much Ado About Nothing
Pericles, Prince of Tyre
Taming of the Shrew
The Tempest
Troilus and Cressida
Twelfth Night
Two Gentlemen of Verona
Winter’s Tale

History
Henry IV, part 1
Henry IV, part 2
Henry V
Henry VI, part 1
Henry VI, part 2
Henry VI, part 3
Henry VIII
King John
Richard II
Richard III

Tragedies
Antony and Cleopatra
Coriolanus
Hamlet
Julius Caesar
King Lear
Macbeth
Othello
Romeo and Juliet
Timon of Athens
Titus Andronicus

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